Cooke 100mm T2.3 Full Frame Front Anamorphic 1.8x /i Prime Lens (PL Mount)

Cooke 100mm T2.3  Full Frame Front Anamorphic 1.8x /i Prime Lens (PL Mount). Designed for both digital cinema and film use, the Cooke Anamorphic/i SF primes cover image formats up to full frame. Each prime lens provides a 1.8x squeeze that rides a sweet spot between optimal pixel capture and a classic anamorphic look. For maximum optical performance, aberration, flare, and distortion control extend over the entire image area and throughout the 100mm’s T2.3-T22 aperture range. The Anamorphic/i Full Frame SF primes are color-balanced and color-matched with other Cooke lens series. Each lens sports both a hardened PL mount and a cable connection that use Cooke’s /i Technology to transmit lens data to compatible cameras. Lens setting data including focal length, aperture, focus, depth of field, and more are provided in both feet and metric measurements. The 100mm Anamorphic/i SF prime lens features a 3.0′ minimum focus from the lens front, engraved focus markings in feet on one side and meters on the other, and a hard, anodized finish. The lens is constructed with 0.8 MOD geared focus and iris rings, for use with follow focus, zoom control, and wireless FIZ systems. A large lens barrel with 270° of rotation, an increased number of focus marks, and Cooke’s cam-style focus movement enable precise focus pulls. Most of the Cooke anamorphic series, including this 100mm, share a common 110mm size front diameter. Features Enhanced flares, bokeh, and other aberrations with a 1.8x anamorphic squeeze Covers up to full frame sensors Wide T2.3 to T22 aperture range Color-matched with other Cooke lens series PL /i Technology mount transfers lens data when used with compatible cameras Multiblade iris produces oval bokeh (out-of-focus highlights) 270° of focus barrel rotation 110mm front diameter across most of this lens line /i Technology Compatible Cameras and Partners Compatible with but not limited to: Aaton, Andra, Angenieux, ARRI, Atomos, AVID Birger Engineering, Blackmagic Design, Canon, Chrosziel, Cinematography Electronics CMotion, Codex, CW Sonderoptics, Element Technica, Fujinon, gbi, IB/E Optics, Leitz, Lexhag Mark Roberts Motion Control, OptiTek, Ovide, Panavision, Pomfort, P+S Technik, Preston Cinema Systems RED, Service Vision, Sigma, Sony, The Foundry, The Pixel Farm, Transvideo, Vision Research, Vitec, ZEISS